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Revolt against the straight line: The highly irregular architecture of a freethinking artist “A house must be a living, organic entity that develops and constantly changes,” stated Friedensreich Hundertwasser in one of his arguments for his nature- and human-oriented architecture. Success vindicated his vision: roof afforestation, organic forms, colorful façades, uneven floors, irregularly positioned windows, gilded onion domes—Hundertwasser’s architecture is unmistakable.
From the beginning of his artistic career in the ’50s, Hundertwasser was preoccupied with architecture in his painting. Then began his engagement with manifestos, essays and demonstrations; later followed architectural models in which he illustrated, for example, his ideas on roof afforestation and an individual’s right to his very own window. As an “architectural doctor” he created unregimented irregularities and realized exemplary architectural projects.
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